Sidechaining with fruity limiter1/21/2024 ![]() ![]() It’s the same basic idea as standard compression, but sidechaining triggers the compressor when a different signal gets louder – so the compressor affects one sound, but triggered by another. You can hear sidechain compression applied to the heavy bass frequency at 00:45 of Daft Punk’s “One More Time” as a kick drum enters the chat:ĮDM producers refer to that pumping sound as “sidechain”. You can use sidechain compression to bring in sharper rhythm and more separation, making room for instruments in a dense mix. Sidechain compression instead makes sure that a particular instrument is compressed relative to other instruments in a mix. Normal compressors work independently, monitoring the level of a channel’s input and controlling the output volume of that same channel. Before you go on be warned, once you know it you will never unhear it sidechain compression is everywhere. ![]() In this article we will look at this special production technique that has become a favourite among many producers (and is frowned upon by some). One tool available to deal with this is sidechain compression. Get to know the basics of sidechain compression in music producing and how to do it in your DAW.Īs you get started producing you’ll soon begin to notice that instruments in your mix that have similar frequencies can interfere with each other, losing definition in sound. ![]()
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